Fantasy business word often associated with Alexander Mcqueen iPhone case albums. But what about a woman's real-life sartorial desires? In a nutshell, the idea that you can be fitted just right for any occasion, a straightforward reason shared by the label's very notorious English patron, Kate Middleton. Needed for resort, Sarah Burton moved caused from mythical or historical references, yet again did delve into that other traditionalist territory—tailoring. This was a collection about a curvilinear silhouette and clean cuts the fact exaggerated the hip but practically never seemed strict or forced. Nipped jerkin came with pleated waists, and folds up of fabric were hidden within a dress's mid-section to create a sort of modern bustle effect. There were also some very flatteringly buy-me-now-and-wear-me-forever coat dresses and pointed wide-legged trousers (worn with the additional crisp broderie anglais shirt) along with proper (royal even? ) slacks that fell to, or just under the knee, some with a slight A-line swing. Burton did follow any kind of escapist route via Kabuki, Henri Matisse, and Japanese kimono fragile and paper screens for ideas at surface level. She focused on segments to Matisse, borrowing french artist's collages that reference our form, and his shades of blue returned in the floral abstract motifs hand-stitched on oversize Prince of Wales tailored houndstooth fabric. Bomber jerkin were rendered in collages behind mink, and there were echoes to the artist's minimal arrangements in the adornment, like hand-cut silk and organza petals and mirrored hearts smothered in floral motifs. The result? Form-fitting dresses that appeared three-dimensional. Working reality and fantasy in are equal to measure, this recipe for first class was tempting to say the least.
There is another article about Alexander Mcqueen iPhone, visit here.
No comments:
Post a Comment